The Victorian Art of Fiction
The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”
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A Note on the Texts
Ed. Rohan Maitzen
1 pages @ $0.12/page
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Introduction
Ed. Rohan Maitzen
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1. Anonymous, Review of Jane Eyre, Christian Remembrancer (1848)
Anonymous
10 pages @ $0.12/page
$1.20
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2. David Masson, Thackeray and Dickens, North British Review (1851)
David Masson, Thackeray and Dickens
18 pages @ $0.12/page
$2.16
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3. George Henry Lewes, The Lady Novelists, Westminster Review (1852)
George Henry Lewes
13 pages @ $0.12/page
$1.56
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4. Anonymous, The Progress of Fiction as an Art, Westminster Review (1853)
Anonymous
14 pages @ $0.12/page
$1.68
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5. Theodore Martin, Thackeray’s Works, Westminster Review (1853)
Theodore Martin
13 pages @ $0.12/page
$1.56
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6. C.W. Russell, Novel-Morality: The Novels of 1853, Dublin Review (1853)
C.W. Russell
17 pages @ $0.12/page
$2.04
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7. Margaret Oliphant, Modern Novelists—Great and Small, Blackwood’s Magazine (1855)
Margaret Oliphant
16 pages @ $0.12/page
$1.92
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8. Marian Evans [George Eliot], The Natural History of German Life, Westminster Review (1856)
Marian Evans
5 pages @ $0.12/page
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9. Marian Evans [George Eliot], Silly Novels by Lady Novelists, Westminster Review (1856)
Marian Evans
18 pages @ $0.12/page
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10. W.R. Greg, False Morality of Lady Novelists, National Review (1859)
W.R. Greg
9 pages @ $0.12/page
$1.08
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11. David Masson, from British Novelists and Their Styles (1859)
David Masson
17 pages @ $0.12/page
$2.04
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12. Walter Bagehot, The Novels of George Eliot, National Review (1860)
Walter Bagehot
18 pages @ $0.12/page
$2.16
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13. Henry Mansel, Sensation Novels, Quarterly Review (1863)
Henry Mansel
22 pages @ $0.12/page
$2.64
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14. Justin McCarthy, Modern Novelists: Charles Dickens, Westminster Review (1864)
Justin McCarthy
17 pages @ $0.12/page
$2.04
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15. George Henry Lewes, Criticism in Relation to Novels, Fortnightly Review (1866)
George Henry Lewes
8 pages @ $0.12/page
$0.96
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16. R.H. Hutton, The Empire of Novels, The Spectator (1869)
R.H. Hutton
4 pages @ $0.12/page
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17. Edward Dowden, George Eliot, Contemporary Review (1872)
Edward Dowden
17 pages @ $0.12/page
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18. Leslie Stephen, Hours in a Library: Charlotte Brontë, Cornhill Magazine (1877)
Leslie Stephen
17 pages @ $0.12/page
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19. Anthony Trollope, Novel-Reading, The Nineteenth Century (1879)
Anthony Trollope
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20. John Ruskin, Fiction—Fair and Foul, The Nineteenth Century (1880)
John Ruskin
12 pages @ $0.12/page
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21. Robert Louis Stevenson, A Humble Remonstrance, Longman’s Magazine (1884)
Robert Louis Stevenson
8 pages @ $0.12/page
$0.96
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22. Henry James, The Art of Fiction, Longman’s Magazine (1884)
Henry James
16 pages @ $0.12/page
$1.92
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Biographical Notes
Ed. Rohan Maitzen
3 pages @ $0.12/page
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Works Cited and Further Readings
Ed. Rohan Maitzen
2 pages @ $0.12/page
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Sources
Ed. Rohan Maitzen
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