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Dracula

To borrow a phrase used by one of the characters in the novel, Dracula is “nineteenth century up-to-date with a vengeance.” In her introduction to this edition Glennis Byron first discusses the famous novel as an expression not of universal fears and desires, but of specifically late nineteenth-century concerns. And she discusses too the ways in which to the modern reader it is not Transylvania but London that is the location of the monstrosity in Dracula. The many appendices include contemporary reviews; source materials drawn on by Stoker; documents expressing contemporary views on trances, sleepwalking and hypnotism; and other relevant writing by Stoker, including “the censorship of Fiction,” in which he expresses his belief in the need to defend the social and moral purity of the nation.

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    Introduction
    Glennis Byron
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    Bram Stoker: A Brief Chronology
    Glennis Byron
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    Dracula Title Page; Chapter 1
    Bram Stoker
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    Chapter 2
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    Chapter 3
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    Chapter 4
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    Chapter 5
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    Chapter 6
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    Chapter 7
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    Chapter 8
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    Chapter 9
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    Chapter 10
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    Chapter 11
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    Chapter 12
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    Chapter 13
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    Chapter 14
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    Chapter 15
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    Chapter 16
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    Chapter 17
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    Chapter 18
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    Chapter 19
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    Chapter 20
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    Chapter 21
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    Chapter 22
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    Chapter 23
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    Chapter 24
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    Chapter 25
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    Chapter 26
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    Chapter 27
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    Appendix A: Bram Stoker, "Dracula's Guest"
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    Appendix B: Bram Stoker, "The Censorship of Fiction" (1908)
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    Appendix C: Transylvania: History, Culture, and Folklore
    Emily Gerard; Charles Boner; Sabine Baring-Gould
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    Appendix D: London
    Karl Baedeker
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    Appendix E: Mental Physiology
    Bram Stoker; William B. Carpenter
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    Appendix F: Degeneration
    Cesare Lombroso; Max Nordau
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    Appendix G: Gender
    John Ruskin; Thomas Laycock; Bram Stoker
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    Appendix H: Reviews and Interviews
    Anon., The Athenaeum; The Spectator; "The Baron de B.W."; "Lorna" / Jane Stoddard
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    Works Cited and Recommended Reading
    Glennis Byron
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    Dracula (Complete Text)
    Bram Stoker
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